Public Art Chicago Is A Hub For A Booming Culture Of Art

Public art encapsulates a large part of Chicago’s history, and engages many different people in varying ways. Recently, I was in the city observing art and came across a woman who was seeing the same pieces I was. She proceeded to tell me she had just gotten off a plane, that morning, from New York, keep in mind it was around noon when I saw her, and wanted to show her daughter the great pieces of public art in Chicago. She passionately relayed the rich historical context of a few works of art: her main point being that Chicago is a hub for a booming culture of art. She noted that great artists from Europe, such as Picasso, Chagall, and Dubuffet, wanted to be a part of the modern art trends happening in Chicago in the twentieth century. She went as far to say that â€Å"these [pieces of artwork] are unique in the world,† meaning they are so well known and respected that their popularity extends beyond the city of Chicago. It is curious to think about what makes a succes sful work of public art, and why artists and observers alike are so intrigued with the art in Chicago. In my opinion, two works of Chicago’s public art, Monument with Standing Beast and Cloud Gate, serve as effective works of public art due to their complexity and appropriate placement in space, however Cloud Gate is more effective because of its personal appeal to the audience. In order for a work of public art to be considered effective, it must have an element of complexity, provoking the thought of theShow MoreRelatedThe Harlem Renaissance : A Period Of Ethnic Rebirth1664 Words   |  7 PagesThe Harlem Renaissance was a period of ethnic rebirth in the streets of Harlem, New York that changed the way people viewed black culture and their art. During the Great Migration, hundreds of African Americans packed their bags and moved north in search of a better life. 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Descriptive Essay - Original Writing - 1132 Words

As I sat in my blue beanbag chair in the corner of the room one Sunday afternoon, with the neon green window drapes next to me blowing and waving in the breeze, and a cup of tea in my hands, I began to reminisce. Staring at the adjacent corner of the room, at the vertex where the ceiling and two walls meet, I started to daydream. Flashbacks occurred in my head of just two months ago, of my grandmother and I trekking arduously through the snow, clutching a thermos in her hand. Despite the scraping cold wind blowing in our face, we pushed through. We moved slowly, inch by inch, but as long as we made it to the senior apartment building we would have done our job. People could rarely be seen even in the Financial District of the city†¦show more content†¦The carpet was a bright red, with salmon-colored wallpaper and bowl light fixtures above us that hung every three doors down or so; they seemed to be the most lively objects we had seen today. 306 was on the right side, about halfway down the 3rd floor corridor on the west wing. Once my grandmother and I arrived, we rang the doorbell, and a few minutes later my great-grandmother appeared. We came in and greeted her like we always did, which really just consisted of asking her how she was doing, but her response was made all the difference. At 90 years old, she was a very healthy woman. At that particular moment, she was probably healthier than us as we sat on her couch coughing and sniffling. She did not have a record of diseases. She had a tendency of a few quirks here and there, but nothing too out of the ordinary. We gave her the thermos; she opened it up and began drinking the yellow bean and carrot soup slowly. She offered us some packaged snacks, but we declined. We just wanted to rest in the warm heat of the apartment and be with my great-grandmother. I found solace in being in her presence and I slowly drifted asleep. I awoke to my great-grandmother singing one of those random tunes your elders sing at home and you’re always unsure if your elders made it up on the spot or was a legitimate song, but you hear constantly over and over again. She was singing as she washed her hands in the bathroom. When my eyes cleared, I

Problem of Good and Evil Free Essays

How can a God who is both omnipotent and good allow evil in the world? 12/2/09 For Christians, evil can be a problem because non-believers can use it as a way to attack Christianity. The first thing they might say is if there is evil, then God must not be good or omnipotent because he is allowing it. Yes, God allows evil in the world, but evil does not come from God. We will write a custom essay sample on Problem of Good and Evil or any similar topic only for you Order Now Evil comes directly from Satan. We see this in the book of Matthew, vs. 1-11, where Satan tries to tempt Jesus. Another way an non-believer ay discredit Christianity is saying that because there is evil, God doesn’t exist. This is definitely false. God does exist and we know because the Bible says so. We also can see the results of his power. Some examples of that are when Moses led the Israelites out of slavery in Egypt and God parted the waters of the red sea so they could get through, but he closed them over the Egyptians and they were wiped out. Another example is the woman who had been bleeding for twelve years, in Mark 5: 5-34, and with one touch of Jesus’ robe, was healed. This is Just a little taste of God’s power over evil. Finally, non-believers could say that God is no better than pagan gods, but he is real and here to save us. God hates evil, but Adam sinned which caused evil in mankind, and he had to bear the consequences of his disobedience against God. The Bible shows us that God is both omnipotent and good. God is omnipotent which means all-powerful. In Luke 1 :37, it says â€Å"For nothing is impossible with God. There isn’t anything that God can’t do. Also in Rev. 19:6, it states â€Å"Then I heard what sounded like a great multitude, like the roar of rushing waters and like loud peals of thunder, shouting: ‘Hallelujah! For our Lord God Omnipotent reigns’. In that verse, we see God directly described using that word. Now on the other hand, God is good. How can we define good? That is difficult to do. My definition of good is: â€Å"Having desirable or positive qualities. † God is good to his people, and everything he has created. Psalm 136:1, a passage about God’s goodness, says, â€Å"Give thanks to the Lord, for he is good. His love endures forever. † Another passage is from Psalm 34:8, which says â€Å"O taste and see that the Lord is good: blessed is the man that trusts in him. † This verse is saying that if you let God in your life, you will see that he can provide only good things for you. He will not bring evil your way. God may cause trials in your life, but that is only because he wants to produce perseverance, as said in James. How to cite Problem of Good and Evil, Papers

Scale and Proportion of the Parthenon Essay Example For Students

Scale and Proportion of the Parthenon Essay The Parthenon in Athens, Greece, is not only one of the most famous examples of classical architecture, but also illustrates the application of the â€Å"Golden Section† in its design. And since the Parthenon is so huge in scale, it is meant to serve as a monument to the virgin goddess Athena. The structure was built by the ancient Greeks from 447 to 438 BC, but it was not until around 300 BC that the Greek first documented their knowledge of the â€Å"Golden Section† when it was written in a historical document by Euclid called â€Å"Elements. The â€Å"Golden Section† is a proportional ratio of 1:1. 618, which occurs in many natural objects. Within Euclid’s â€Å"Elements† it basically states that â€Å"a straight line is said to have been cut in extreme and mean ratio when, as the whole line is to the greater segment, so is the greater to the less. † There are a few insights into figuring out whether the â€Å"Golden Section† was used in the design and construction of the Parthenon. First off, the Parthenon was constructed using very few parallel lines to make it aesthetically pleasing. Also, unfortunately the Parthenon is now in ruins, which makes its original features and height subject to discussion since it can’t be measured exactly. In addition, even if the â€Å"Golden Section† wasn’t used on purpose in the Parthenon’s design, it still may be present nonetheless since it occurs in the natural world and because of this there is a human influence of what we consider to look appealing. And finally, from photos of the Parthenon which are used for the analysis, this often introduces an element of distortion because of first of all the angle from which the images are taken or the quality of the camera used to take the pictures. The Parthenon also applies the idealized rules of proportion for the human body to its design, by being an architectural wonder within itself while also standing as a moment to the goddess Athena. The Greeks used the rules of proportion to create a harmonious design as an ode to the goddess, and both the vertical and horizontal measurements work with each other as a means to create proportional harmony. It’s pleasing proportions come from the ratio 9:4, which is a mathematical idea which relates the relationships of length to width, width to height, and the space between the columns when they are compared to their diameters. In addition, when it comes to distorted scale, all the supposedly straight lines which comprise of the Parthenon are surprisingly slightly curved after all. The genius architects that created this classical structure knew that these lines would give the impression of being totally linear in nature. This helps because of the how the human eyes tend to see a column as thinner in the middle, so they made the columns in reality bowed instead and slightly slanted inward. Also, the columns at the corners of the building were made to appear thicker since they caught the light more than other columns in the structure. Because of this they would appear thinner, so the architects did what they had to do to make sure they appear normal as a whole.